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Minggu, 27 September 2015

Free PDF The Eye of Minds (The Mortality Doctrine, Book One), by James Dashner

Free PDF The Eye of Minds (The Mortality Doctrine, Book One), by James Dashner

And just how this book will affect you to do much better future? It will certainly relate to exactly how the visitors will certainly get the lessons that are coming. As understood, generally many individuals will believe that analysis can be an entrance to go into the new perception. The assumption will certainly influence how you step you life. Even that is tough sufficient; people with high sprit might not feel bored or give up understanding that idea. It's what The Eye Of Minds (The Mortality Doctrine, Book One), By James Dashner will certainly offer the ideas for you.

The Eye of Minds (The Mortality Doctrine, Book One), by James Dashner

The Eye of Minds (The Mortality Doctrine, Book One), by James Dashner


The Eye of Minds (The Mortality Doctrine, Book One), by James Dashner


Free PDF The Eye of Minds (The Mortality Doctrine, Book One), by James Dashner

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The Eye of Minds (The Mortality Doctrine, Book One), by James Dashner

Review

Praise for the Mortality Doctrine Series:“Dashner takes full advantage of the Matrix-esque potential for asking ‘what is real.’” —io9.com   “Set in a world taken over by virtual reality gaming, the series perfectly capture[s] Dashner’s hallmarks for inventiveness, teen dialogue and an ability to add twists and turns like no other author.” —MTV.com   “A brilliant, visceral, gamified mash-up of The Matrix and Inception, guaranteed to thrill even the non-gaming crowd.” —Christian Science Monitor "An exhilarating adventure story with touches of Anthony Horowitz’s Alex Rider books and Orson Scott Card’s Ender’s Game."-Booklist.com “More realistic and addictive than any video game—The Eye of Minds sucked me in from the very first page. The Girl with the Dragon Tattoo meets The Matrix in a vividly rendered world of gamers, hackers, and cyber-terrorists. I can’t wait to read the next book in the series!”—Kami Garcia, #1 New York Times bestselling coauthor of Beautiful Creatures and author of Unbreakable   "Dashner's descriptions are screenplay-ready...This book will satisfy the author’s fans...[and readers] in search of an adrenaline rush."-School Library Journal“A gripping page-turner, Dashner’s latest is sure to please.”—BookPage   “Full of action [and] a rather surprising twist that will leave you flipping pages.”—fanboynation.com “High on concept, this is an intriguing read for the digital generation.”—Kirkus Reviews"Dashner once again creates a dystopian world in which nothing is what it seems."-VOYA A Junior Library Guild SelectionA YALSA Teens Top Ten Pick

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About the Author

James Dashner is the author of the #1 New York Times bestselling Maze Runner series: The Maze Runner, The Scorch Trials, The Death Cure, The Kill Order and The Fever Code, as well as the bestselling Mortality Doctrine series: The Eye of Minds, The Rule of Thoughts, and The Game of Lives. Dashner was born and raised in Georgia, but now lives and writes in the Rocky Mountains. To learn more about him and his books, visit JamesDashner.com, follow @jamesdashner on Twitter, and find dashnerjames on Instagram.From the Hardcover edition.

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Product details

Age Range: 12 and up

Grade Level: 7 - 9

Lexile Measure: 790L (What's this?)

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Series: The Mortality Doctrine (Book 1)

Paperback: 342 pages

Publisher: Ember; Reprint edition (July 22, 2014)

Language: English

ISBN-10: 0385741405

ISBN-13: 978-0385741408

Product Dimensions:

5.4 x 0.8 x 8.2 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

669 customer reviews

Amazon Best Sellers Rank:

#15,763 in Books (See Top 100 in Books)

Since I am a bit of a nerd (ok, maybe a big nerd) I really enjoyed the ideas behind this book. It was interesting, as I read it, to see parallels with our dependency and fascination with technology and the internet. With the advent, and more universal acceptance, of Virtual Reality and Augmented Reality devices (think Oculus unit and Microsoft's HoloLens) it is not too much of a stretch to believe we could someday find ourselves spending more time in a "virtual" world than our own. That is the case for Michael and his friends in this story. They find themselves more attached to the VirtNet, as it is called, and less attached to the real world.James Dashner does a great job of making the reader care about his main protagonist right off the bat and we begin to get caught up in Michael's "adventure" pretty quickly. Its hard to explain the entire book without getting into too many spoilers. The pace is nice, but at times gets bogged down with too much technical information about the VirtNet and its "worlds". But, I was never bored and looked forward to getting back to reading about what would happen next.In all honesty I was not a big fan of the Maze Runner Series. I actually prefer the movies over the books on that one, which is a rarity for me. But The Eye Of Minds really captured my attention and kept me wanting for more. I have moved on to the final book in the series and have enjoyed each one a little more than the first, which is saying something. The second book was really great.This is a great launching pad for the series though and if you like the YA type of books with a technical and "futuristic" twist then you can't go wrong with this series. Give it a try!

DON'T WORRY! NO SPOILERS!This book was good, but could have been much better.I went into this book expecting something at least somewhat similar to the Maze Runner, but didn't quite get what I was expecting.While this book IS good compared to others out there on the market, it didn't quite live up to the Maze Runner, or even the 13th Reality books.The following is an outline of the overall pros and cons of this book:PROS:~ VERY unique idea. I've never seen anything like it before.~ Had the same kind of teen-appropriate "gritty" feel that the Maze Runner contained.~ Had SOME action, but not nearly as much as the Maze Runner.~ Really opens your eyes to the "dangers" of the digital age we're now entering.~ Contained themes that will make me look at the world differently in the future.~ Had a MIND-BLOWINGLY crazy conclusion, that will leave readers DYING for the second book.CONS:~ Flimsy characters. By the end of the book I could only really tell you two things about the character's personal life: his name and his age.~ Didn't contain quite as much action as the Maze Runner or 13th Reality books.~ Plot driven. This CAN be an advantage to some people, but I personally prefer character driven books~ Didn't really contain a climax. The "climax" wasn't really that exciting.~ From the middle of the book, to about 10 pages before the book ends, it is mostly boring.~ Had a bunch of jumbled scenes that didn't really flow together.FINAL ANALYSIS:While some people may appreciate this book, I think the majority of Maze Runner fans will be quite disappointed. The only thing that redeemed it and made me give it 3 stars instead of 2 is a piece of shocking information that is discovered in the last 5 pages of the book. (Don't worry, I won't tell you what it is.)Because of this ONE BIT OF INFORMATION, this author completely redeemed this book, and gives the rest of the series promise.While I didn't care much for this installment, I will definitely read the 2nd book in the series.To sum things up, this book was a disappointment, but it wasn't ALL bad. And if you're a Maze Runner fan, you'll likely feel the same.I DO recommend that you read this book, because the rest of the series shows promise, just don't expect to be blown away by this one.-Mark LeGrand Messick, bestselling author

I really like James Dashner's writing, and was excited to read the first installment in The Mortality Doctrine series. The Eye of Minds was very different from my usual reads: it's about high-intensity virtual gaming. I'm not a gamer, but I still really enjoyed this unique, imaginative, thrilling book.Michael is a gamer, and not just any gamer; he's an expert hacker. In Michael's world, he and his friends spend more time in the VirtNet than in the real world. Their gaming systems are a little odd: they have these coffins that they lie in to enter the VirtNet. The coffins are equipped with technology that allows them to feel everything that's happening in the game. So, if they get hurt while gaming, they feel it in their bodies. Everything feels real, which makes the gaming experience more exciting than real life. The premise of the coffins and gaming having a real impact on the gamer's body was unique and well-executed, if a bit creepy.Like Dashner's other books, The Eye of Minds is told in a first person narrative with Michael as the narrator. There is no love story at all; which is typical for Dashner. These attributes would appeal to a male readership, however they didn't keep me from enjoying The Eye of Minds.As is custom for Dashner's novels, The Eye of Minds was full of fantastic imagery. I felt like I was really on The Path with Michael and his friends. There were parts of this book that completely freaked me out: no ghosts, but enough scary things to keep me thinking about them after I finished reading.The story moved at a good pace, and held my interest. I was shocked at the twist at the end---so shocked I must have read that passage three times. I couldn't believe how the story ended, and now I'm really excited to read book two, The Rule of Thoughts.

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Jumat, 04 September 2015

Free Ebook Hell House

Free Ebook Hell House

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Hell House

Hell House


Hell House


Free Ebook Hell House

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Hell House

Product details

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Audible Audiobook

Listening Length: 9 hours and 11 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Blackstone Audio, Inc.

Audible.com Release Date: May 13, 2008

Language: English, English

ASIN: B0019HXP7S

Amazon Best Sellers Rank:

I will say that I enjoyed the book. Is it scary? In my opinion, it is not. But I found it well-written, and had a nice, detailed answer as to how and why the house was haunted. I grew up watching the movie, "The Legend of Hell House," which was based on this book and the screenplay was written by the author. I feel the movie had some good parts and was enjoyable, but it skipped over a lot of the explanations. I read this book after a recent re-viewing of the film. I see now that the film stuck closely to the book, yet I enjoyed the book a little more because it explained things a bit more in detail. Yes, the book is slow in parts and modern readers may not find it scary, but I looked at it as an interesting debate on the nature of parapsychology and a clever little mystery to solve (about which of our researchers had the right answer). Keep in mind that this book was written in the 70's and can seem a little dated. I'm sure the sexuality presented here was also more of a big deal than it is now. I think it's a classic tale. It may not be the best haunted house story but it's a good one. And I think if you view the movie first, this only enhances your enjoyment of the story.

Wow. Once Matheson gets his hooks in, there’s no escape. “Hell House,” while not a transformative experience, was certainly a gripping one. The characters in the book refer to the titular house as ‘the Everest of haunted houses.’ That sentiment is equally true for this novel as it pertains to haunted house stories. I don’t normally go in for straight-up horror, but this was absolutely worth the price of admission: it is a fantastic book.Unrelenting pace. Sympathetic characters with disparate backgrounds and conflicting motivations. A different approach to the science vs. supernatural debate. An interesting (novel, haha) sectional structure, where the ‘chapters’ are marked by time of day rather than conventional numbering or titles.Full disclosure: this book does contain sex scenes and overt references to sex and sexual activity. That should come as no surprise to readers of the genre, in general. Also worth mentioning in this regard: the book was written ~1970. The sexual revolution was, if not still in full swing (haha), still radically reshaping notions of sex and sexuality. While “Hell House” does contain shocking (at times, explicit) scenes, I’m not entirely convinced those scenes exist explicitly for shock value. Instead, they seem mostly in line with tropes that are now considered genre-standard.Recommended for: fans of horror (especially haunted house stories, I would suspect); those drawn to tales of the supernatural; those who relish incredibly well paced stories; readers who want to be quickly immersed in a setting and remain engrossed as long as possible; anyone looking for a scare or some classic creepiness. If you enjoyed Matheson’s other contributions to horror, or books like “Our Lady of Darkness,” which have their basis in late 19th/early 20th century influences, spend some time with “Hell House.”Edit: typos. Thar be plenty, yar.“A flickering in her eyes revealed the change, like the evanescent shimmer of sunlight across a cloud-darkened landscape. Instantly she was herself again; but not emerging from amnesia. It was, instead, a sudden, brutal surfacing to self, with total memory of every vileness she’d been forced to utter.”“Fischer nodded. “Belasco formed a club he called Les Aphrodites. Every night-later, two and three times a day-they’d hold a meeting; what Belasco called his Sinposium. Having all partaken of drugs and aphrodisiacs, they’d sit around that table in the great hall talking about sex until everyone was what Belasco referred to as ‘lubricous.’ Then an orgy would commence.”“Psi phenomena abound in realms of credulity.”“It was silent for a while. Then Edith’s legs retracted as Florence began to sing in a soft, melodious voice: “ ‘The world hath felt a quickening breath from heaven’s eternal shore. And souls, triumphant over death, return to earth once more.’ “ Something about the sound of her muted singing in the darkness made Edith’s flesh crawl.”“Fischer tottered on his knees, across his face the dazed expression of a man who’d just been bayoneted in the stomach. He tried to hold himself erect but couldn’t. With a choking noise, he fell, landing on his side and drawing up his legs, bending forward at the neck until he had contracted to a fetal pose, eyes closed, body shivering uncontrollably. He felt the rug against his cheek. Nearby, he heard the pop and crackle of the fire. And it seemed as though someone were standing over him, someone who regarded him with cold, sadistic pleasure, gloating at the sight of his ravaged form, the helpless dissolution of his will.”

The ectoplasmic sh!t hits the fan in Richard Matheson’s brooding tale of paranormal phenomena and sexual repression. Set in the 1970s, Hell House begins as a wealthy octogenarian (with apparently too much money and too little time left) hires expert parapsychologist Dr. Lionel Barrett to answer the metaphysical question of life after death, promising Barrett and his fellow investigators each $100,000 to bring him the answer. As if proving survival post-death wasn’t tricky enough, the hapless team is dispatched to the long abandoned Belasco House somewhere in rural Maine, a decadent manor that fell into disrepute after a dark period of drug addiction, alcoholism, debauchery, with just a dash of cannibalism—all of which occurred there under the silent influence of Emeric Belasco. Armed with troves of scientific equipment and an orange cat, the good doctor, his insecure wife Edith, and two spiritual mediums named Florence and Fischer arrive to discover this creepy estate possesses all the amenities ranging from an icky tarn to a death-defying steam room. Things go horribly awry, the spooks come out, and this ragtag group soon finds their sanity being subtly undermined by the malevolent forces housed within. It’s pretty clear why this deserted manor was been dubbed "Hell House" by the good townsfolk. As Barrett and the others resolve to rid Belasco House of its evil affliction, they soon learn that the ghosts here won’t go down—at least not without one hell of a fight.I had high hopes for Hell House, which had glowing endorsements from such auspicious writers as Stephen King. Alas, save for a couple of gripping moments, the book was so-so at best. Matheson’s writing here is pedestrian, repetitive, and wrought with awkward adverbs. The narrative plods at a leaden pace. The fright elements are familiar by today’s standards (I realize the book was published in the 1970s, but so was ‘Salem Lot and The Shining—both of which continue to stand the test of time). Although the ending was unpredictable and rather fitting, it still felt anticlimactic and maybe even a little contrived. The characters are banal, their motives one-dimensional, and the reader is given little as to their lives outside of Hell House. Dr. Barrett is overly arrogant and his attempts at explaining the nature of ghostly phenomena through the lens of cold, scientific logic bridges on nonsensical techno-babble; Edith is meek and repressed; and Florence is stubborn and overeager to prove she’s correct about the source of the haunting, even at the expense of her own life. Of the quartet, Benjamin Franklin Fischer was perhaps the only likeable character. In addition to the characters' lack of depth, I found myself occasionally frustrated by both their strange behaviors and their rash decisions, some of which proved fatal.As I was reading Hell House, I had a hard time not drawing comparisons between this tale and Shirley Jackson’s seminal novel, The Haunting of Hill House (1959). While the plots of both stories surround four ghost seekers probing a notoriously unfriendly pile with only a single vowel to distinguish the two—Hill House v. Hell House—the more notable similarities are found in the principal protagonists. There’s little doubt that Matheson took some of the key traits and identities of Jackson’s players and injected them into his own. On the other hand, Matheson’s horrors are openly exposed while Jackson’s are implied and more frightening for that very reason. Moreover, Matheson's prose doesn’t even come close to reaching the poetry of Jackson's elegantly woven web of words. (Simply read the first paragraph of Hill House and you’ll see what I mean.)The story is so steeped in darkly twisted, depraved eroticism that some might argue there’s more sexual content going on here than horror. It’s true, there’s plenty of flesh on display and sexuality certainly plays a chief role in the backstories of both the characters and the Belasco House. I won’t mince words—there were times when I sensed the book was lewdly indulging in sex, much like a titillated teenager (unlike William Peter Blatley’s The Exorcist, which handles similar adult themes but with greater sophistication). But if you ask me, lurid sex actually sets the book apart from other forays into the haunted house genre. While I had no objection to Matheson’s depiction of spirit possession coupled with sexual kinks (hash-tag ghost sex), which have their place in books like these; however, readers may find the sexualization and brutal abuse of the female characters gratuitous at times.Despite being given high marks, I’m afraid Hell House doesn’t live up to its advance billing. Sure, there’s some memorable stuff found in the pages of this cinematic novel (which was later adapted into a 1973 film for which Matheson wrote the screenplay), and it’s a both beguiling feat for its time as well as a respectable contribution to the development of the modern horror genre. But is Belasco House the “Mount Everest of haunted houses”? Meh, let’s just go with K2 and call it a day, shall we? Unfortunately, the book suffers from poor characterization and stilted writing, but I’d still recommend this novel to all you Matheson appreciators or lovers of the haunted house plot…though I can’t promise you’ll like it.

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